Is the Master Chief Noble 6?

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Is the Master Chief in Halo: Reach?

Short answer, not as the main playable Spartan.

Longer answer, no, the Master Chief is not Noble Six. He is not secretly under that visor. He is not the mysterious new arrival in NOBLE Team. He is not the Lone Wolf. Halo: Reach is not a hidden John-117 story in disguise. It is something more interesting than that. It is the story of Reach falling, of Noble Team breaking apart, and of one Spartan, you, standing in the path of history long enough for the next chapter of Halo to begin.

That matters because one of Reach’s great strengths is that it deliberately shifts the player away from the Master Chief myth and into a different kind of Halo heroism. Instead of the already-legendary Spartan who will go on to become humanity’s icon, Reach gives you Noble Six, a Spartan who arrives with a reputation, but whose face and much of whose identity remain blank enough for the player to inhabit. That choice gives the game its special melancholy. You are important, even critical, but you are not the franchise’s invincible center.

Update: Played the game, he ain’t in it. :(

Update 2: The Master Chief appears in Reach as an Easter Egg

Update 3: Check out the anger in the comments!

No, Master Chief is not Noble Six

Is the Master Chief Noble 6? No. The Master Chief is not the Spartan referred to as Noble 6. Noble 6 is the Lone Wolf. The unnamed Spartan. The ghost who walks. You know, the Spartan that survived Pegasi, sir. In fact you are Noble 6. You get to inhabit the character as you venture across the planet Reach with NOBLE Team.

That distinction is worth stressing because Reach plays with Spartan mystique very effectively. Noble Six arrives already wrapped in whispers. Bungie-era material built Six up as a “hyper-lethal” operator, which helped fuel fan theories that maybe this new Spartan was secretly Chief under another name. But that was never the case. Six is SPARTAN-B312, a Spartan-III, not John-117, who is a Spartan-II and already very much his own figure elsewhere in the timeline.

This is not the Master Chief. This is Noble Six stepping into Reach’s doomed last stand.

Why Halo: Reach works so well without Chief at the center

That absence is not a weakness. It is one of the reasons Reach hits so hard. Halo: Reach is a prequel, but it is also a tragedy. The game is built around inevitability. You know the planet falls. You know humanity loses Reach. You know the story has to hand the baton forward to Halo: Combat Evolved. That means the tension does not come from wondering whether Noble Team can save the world. It comes from seeing how much they can preserve before everything burns.

Master Chief’s absence gives the game room to breathe as a war story rather than a legend story. Carter, Kat, Jun, Emile, Jorge, and Noble Six each carry a different part of Reach’s military collapse. The player is not watching the galaxy’s most famous Spartan stride in and fix the problem. The player is living inside the machinery of defeat, one mission at a time.

That gives Reach its unique tone inside the Halo series. It is not about triumph. It is about sacrifice, professionalism, doomed courage, and the brutal fact that sometimes the most important victories are the ones that buy time for someone else.

So where is John-117 during Reach?

Chief is still part of the larger Fall of Reach timeframe, just not part of Noble Six’s campaign role. That is why fans kept hunting for him. Reach is a planet-wide catastrophe and John-117 is too important to the Halo mythos for players not to wonder where he is. The answer, in gameplay terms, is that Reach keeps him mostly offstage. In emotional terms, the game is preparing the board for him.

That is the genius of the ending. Reach does not need Chief walking through every mission because the whole final act is really about getting history into position for him. Noble Six’s job becomes making sure the right people, and more importantly the right data, get to the Pillar of Autumn. Reach is the corridor through which Halo’s bigger legend passes.

In that sense, Reach is less about the Master Chief as a character than the Master Chief as a future. The game is about the cost paid by others so that Halo’s most famous Spartan can later wake up and begin humanity’s next desperate chapter.

Yes, the Master Chief does appear, but only as an Easter egg

Damn, so is 117 in Reach at all? Only as a guest cameo Easter Egg:

And that cameo is actually pretty perfect. It is small, almost hidden, and entirely in keeping with Reach’s restraint. The game lets John-117 exist as a hushed presence aboard the Pillar of Autumn, tucked away in cryo, more symbol than active participant. It is Bungie quietly nodding to continuity without hijacking Noble Six’s story.

That is also why the Easter egg matters so much to Halo lore obsessives. It acts like a bridge shot. You are seeing the handoff point. Noble Six is fighting and dying on one side of the cut. The Chief is literally asleep on the other side of it, waiting for the next game to begin.

Reach as a handoff to Halo: Combat Evolved

Once you know how Reach fits in the timeline, the final missions become even better. The game stops being merely a military science fiction shooter and becomes a direct prelude to one of the most important openings in gaming. Deliver Halsey’s package. Protect the Autumn. Hold the line. That is not just mission design. That is Halo stitching its own mythology together.

The emotional weight of Reach comes from the fact that Noble Six does not survive to enjoy the payoff. The player does not step from Reach into the Master Chief’s boots in a triumphant seamless transition. Instead, the game leaves you in the dust, on the ground, inside the cost of the legend. That is why Noble Six remains such a powerful character in Halo memory. He or she is not the series mascot. Noble Six is the sacrifice that history nearly swallows whole.

And yet, because Reach is Halo, that sacrifice is not meaningless. It becomes the condition for the next story. That is very Halo. Heroism here is often anonymous in the moment and mythic only in retrospect.

It’s not all lost though. Microsoft has confirmed the Chief will be back for other Halo games...

This is the Master Chief. Awake.

Reflections on Halo: Reach as a game

Halo: Reach remains one of the strongest tonal pivots the series ever made. It takes the broad military sci-fi language of Halo and drains it of some of its swagger. The result is a game that feels more haunted than heroic. Reach is full of skies thick with invasion, beautiful vistas on the brink of destruction, and a constant sense that every small victory is temporary.

That is why the question “Is Noble Six the Master Chief?” persisted for so long. Players were looking for continuity, yes, but they were also looking for reassurance. Chief means survival. Chief means continuation. Reach is brave enough to deny that comfort. It says, no, this Spartan is not the one you know. This Spartan is one of the ones who make it possible for the one you know to matter.

That shift gives Reach its own identity. It is not just the game before Combat Evolved. It is the game that deepens Halo’s idea of heroism by showing its attrition, its anonymity, and its cost. It is about the soldiers who do not get to become icons, but whose actions become the foundation of myth anyway.

And that final “Lone Wolf” feeling still hits. Reach ends by turning the player into history. Noble Six is not Master Chief. That is precisely why Noble Six matters.

Extra for Experts:

Master Chief and Cortana artwork

Love You Long Time

Cortana Nude

Why Halo Reach is better than sex

Ryland Grace: The Reluctant Savior of Project Hail Mary

The hero of Project Hail Mary is not introduced as a born commander or a swaggering explorer. He is introduced as someone who survives by shrinking his world down to what he can control.

Ryland Grace enters the story as a man trying to disappear inside small, harmless days. He is a middle-school science teacher with a gift for making ideas feel touchable, and a streak of avoidance that runs deep enough to look like temperament. That becomes the novel’s first quiet twist: Grace lives a life where the stakes stay politely low—a classroom, a lesson plan, a tidy experiment.

That instinct gets tested long before space. On Earth, the crisis arrives as math, then as terror, then as a kind of global gravity that pulls every person into its orbit. The sun is dimming. Crops fail. Nations start to look at each other the way drowning people look at the last life raft. Grace is dragged into the machinery by necessity and by his own competence. He understands the Astrophage problem faster than almost anyone, and in this book, understanding is never neutral. If you can see the shape of disaster, you become responsible for how it’s faced.

Authority and Avoidance

His relationship with authority is one of the novel’s sharpest character motors. Eva Stratt is not warmth; she is a mandate, and she treats Grace like a tool that happens to have feelings. Grace resists, bargains, complains, and tries to step sideways out of obligation.

The thematic pressure here is clean. Grace believes he is an ordinary person who wants to do the ordinary ethical thing, which is not to die for a cause he did not choose. Stratt believes choice is a luxury the species no longer has. Their collision forces Grace into the ugliest realization: he can’t keep claiming innocence once he’s holding the key variables.

Amnesia as a Truth Serum

Then the book rewires him with its most brutal device: memory loss. Waking up alone on the Hail Mary with amnesia is not just a plot hook, it’s a thematic stripping. All the identities Grace uses to hide—the self-image of harmless teacher, the rationalizations, the excuses—are gone at first. What remains is the core of him: a mind that searches for patterns, a body that reacts with panic and then with problem-solving, and a personality that defaults to humor as a pressure valve.

In isolation, he becomes his own tribunal. With no past available, all he can do is act, and those actions start to reveal who he really is.

Grace’s arc is not “good man does brave thing.” It’s “flawed man is forced into a situation where his flaws will either kill him or be burned off.”

As his memories return in shards, the novel makes his cowardice part of the text instead of a stain the story hides. Grace did not volunteer for the mission. Under pressure, he fought it, and the truth is plain: he was compelled. That moment matters because it refuses the fantasy of effortless heroism. The trial on Earth is moral. The trial in space is existential. Both demand the same currency: responsibility.

Competence as Character

Space does not reward his fears. It rewards his skill, his stubborn curiosity, and his ability to treat a problem like a puzzle instead of a prophecy. Grace survives by doing science the way he taught it: observe, hypothesize, test, repeat - and by being willing to look stupid if it buys him truth.

The book makes competence feel like character. Every time he builds a solution from scraps, every time he turns panic into procedure, it reveals a part of him that was always there, buried under the need to be safe.

Rocky: The Mirror

Then Rocky enters, and the entire character study gains a second heartbeat. Grace is no longer only fighting the universe. He’s learning to share it. Their friendship is built through patient translation, through math, tones, symbols, and the insistence that understanding is possible even when everything about the other being is alien.

Rocky becomes the mirror that shows what Grace is capable of when self-preservation isn’t the only guiding star. With Rocky, Grace’s better traits stop being accidental. He chooses empathy. He chooses trust. He chooses to become the kind of man who can keep a promise across species.

Friendship becomes the ultimate survival mechanic.

The partnership also forces Grace into a new form of courage. It’s easy to be brave when you’re the only one who pays. It’s harder when someone else’s survival depends on you being competent, honest, and steady. The trials escalate - Astrophage behavior, fuel limits, relativistic travel, the peril of Taumoeba, the improvisations with xenonite, the constant risk of a single mistake ending everything. Grace keeps meeting situations where the “right” answer is not safe. Over and over, he moves toward it anyway, not because he suddenly becomes fearless, but because his fear is no longer the boss.

The Final Lesson

By the end, Ryland Grace is defined less by what he feels and more by what he commits to. The final stretch is the purest expression of his transformation: a man who began by trying to avoid sacrifice chooses it, not as a grand speech, but as a decision made in the quiet, with full awareness of the cost.

He becomes, almost against his own history, the kind of person who can give up the ending he wanted to protect the life in front of him. When he remains with the Eridians and becomes a teacher again, it isn’t a retreat back to small stakes. It’s his arrival. He returns to what he was best at—explaining the universe—but now with the earned understanding that knowledge is not escape. Knowledge is responsibility, and love, and the bravery to stay when running would be easier.

History of Halo as told by Game Informer

Game Informer has done a history of Halo. Here it is, in total, borrowed from the internet. Halo Reach Game News is not shy from borrowing from people who know more than him about halo.

Check out this one I borrowed from Halo 101 .

Does Robbie Ferrier die in War of the Worlds?

Steven Spielberg’s "War of the Worlds" presents a terrifying portrait of an alien invasion, yet the most persistent questions viewers raise are not about the extraterrestrials. An analysis of common searches reveals a deep preoccupation with the human story, specifically the fate of one character: Robbie Ferrier. 

The film’s true tension, it seems, is not just the conflict with the "Martians," but the internal war within the Ferrier family.

The narrative is anchored by Ray Ferrier, a father tasked with the impossible: protecting his two children, Rachel and Robbie, from an enemy he cannot comprehend.

His journey is one of pure survival, a desperate flight from overwhelming destruction. 

This parental desperation is the lens through which the audience experiences the apocalypse, making the family's fate the central measure of success or failure.

Into this dynamic comes Robbie, the defiant teenage son.2 His character arc is defined by a baffling motivation that viewers relentlessly question. Searches like "why did robbie want to fight" or "why did robbie want to see it" highlight a fundamental disconnect with the protagonist. 

While Ray’s goal is to run, Robbie’s is to charge forward, drawn to the conflict with a youthful, almost suicidal, sense of duty.

This ideological clash between father and son defines the family’s journey. Robbie’s impulsive need to join the resistance is a constant source of conflict, forcing Ray to choose between protecting his son and letting him go. This friction is more immediate and relatable than the abstract threat of the alien tripods, grounding the fantasy in a raw, familial struggle.

The most debated aspect of the entire film is encapsulated by the simple query: "does robbie die in war of the worlds?" 

The narrative ambiguity surrounding his fate is the story's most powerful hook. The film shows Robbie charging over a hill towards the military, followed by a series of devastating explosions. The visual language of the scene strongly implies his death.

This apparent death is the film's emotional turning point. For the audience and for Ray, Robbie is lost. His story appears to conclude as a tragedy, a testament to the futility of human resistance and the cost of his own defiance. 

The narrative then narrows its focus, concentrating entirely on Ray's grim determination to save his remaining child, Rachel.

This makes the ending, and the queries "how did robbie survive," so jarring. Robbie’s reappearance in Boston, unharmed and waiting, defies the horrific logic the film had established. 

It feels less like a plotted survival and more like a miracle, a narrative concession to a happy ending that feels almost unearned after the trauma witnessed.

This contrasts sharply with the fate of other characters, such as Ogilvy, also referred to as Harlan. This man, driven mad by the siege, represents a different kind of survival. His story is a dark exploration of paranoia and the internal collapse of humanity.

 Ray's interaction with him is a grim necessity, unlike the passionate, unresolved conflict with Robbie.

Ultimately, the focus on Robbie’s journey reveals what audiences found most compelling. The "Martians" are a catastrophic force of nature, an external problem to be endured. But Robbie is the internal, human problem. His survival feels disconnected from the main plot, almost as if he survived by sheer luck rather than by any action taken by him or his father.

The obsession with "what happened to robbie" proves that the film's emotional core is not the invasion itself, but the fractured family at its center. 

The questions about his survival, death, and motivations are all attempts to solve the film's central human puzzle. 

Halo: Campaign Evolved Remake Officially Revealed

The ring has been reborn. 343 Industries has officially revealed Halo: Campaign Evolved, a full remake of the legendary 2001 campaign from Halo: Combat Evolved. 

This isn’t just a visual upgrade. It’s a deep expansion that rebuilds the original journey with new missions, fresh cinematics, enhanced audio, additional weapons, and sweeping co-op support across platforms. 

It’s Halo as you remember it, reimagined for the modern era.

Expanding the Original Adventure

Campaign Evolved broadens the scope of the Master Chief’s first mission with three brand-new story missions set before the events of the original game. 

Players will fight alongside Sergeant Avery Johnson, encountering new enemies, characters, and environments. 

Every iconic moment is paired with enhanced cinematics built with modern motion-capture and newly recorded dialogue from returning cast members. It’s a chance to revisit the ring with fresh eyes and hear Halo like never before, thanks to fully remastered sound and a rebuilt soundtrack.

 

New Arsenal and Gameplay Upgrades

For the first time, players can wield nine additional weapons from across the Halo universe, including the Battle Rifle, Energy Sword, and Needle Rifle. Vehicle combat has also been elevated. The Master Chief can now hijack enemy vehicles and command the Covenant’s Wraith tank. 

The classic Warthog has a new bumper seat, letting your entire four-player Fireteam roll out together. Add in dozens of Skulls that radically alter missions and you’ve got a campaign designed for endless replayability.

Play Together, Anywhere FINALLY

Halo: Campaign Evolved shatters old boundaries. For the first time in franchise history, cross-platform co-op brings players on Xbox Series X|S, PC, and PlayStation 5 together. Shared progression means your campaign carries with you no matter the platform. 

Console players can also return to the golden age of split-screen with two-player local co-op on Xbox and PlayStation. It’s nostalgia and innovation in one shot.

 

A Timeless Campaign, Reborn

Halo: Combat Evolved changed gaming forever when it launched in 2001. Now, more than two decades later, Campaign Evolved retells that story for a new generation. The Master Chief and Cortana crash land on a mysterious ringworld and uncover a secret that threatens all life in the galaxy. 

The structure is familiar. The execution is bold. This is a return to the ring that started it all, rebuilt from the ground up for 2026.

Halo: Campaign Evolved launches on Xbox Series X|S, PC, and PlayStation 5 in 2026.

What is Rampancy in Halo? Why does Cortana have it?

What is Rampancy in Halo? Why does Cortana have it? How long does it last?

We didn't know much about Halo 4 but we did know one thing about  Cortana  and that she was going to suffer the fate of many an Artificial Intelligence in the Halo universe, Rampancy. The game clearly showed Cortana going off the rails, subtly at first and then it became a full on

 Frank O'Conner has described rampancy as a condition that affects older A.I's that leads to the A.I. "thinking itself to death".

Let's face it, Cortana had a pretty rough Halo 3. She was hog-tied and brainwashed in some strange fashion by the Gravemind which strongly hinted at some stage of rampancy but came through it by the end of the brilliant Halo 3, finishing up floating in space with the Master Chief.

But what is it really, what happens and is there a cure? We don't want our blued angel Cortana to die right? After all, she and the Chief are supposed to settle down and have a couple cyber kids.....

A more complicated definition or description of rampancy is that for so called 'smart' A.I.'s the condition of rampancy is an unavoidable flaw inherent in them from their creation. Being based on the neural patterns of a human being (such as Cortana being modeled on the brain of Doctor Catherine Halsey), and they have a limited lifespan of around seven years. Around this time their memory maps become dangerously interconnected and endless feedback loops may occur which can be fatal to the rampant A.I.

Near that 7 year period, an AI begins to use more and more of its computer power 'thinking' about things, this in turn leads to muddled thinking and conclusions, general confusion and a devastating inability to perform their tasks - you wouldn't want a rampant A.I. to be in charge of a Halo installation for instance. 

Oh wait, someone has been guilty of that before.

The Halo Legends short film Origins appears to have suggested that Cortana indeed fell into rampancy. In the film Cortana displays some characteristics that might be indications of rampancy including her hologram flickering, trying to communicate with John-117 despite him being in cryo-sleep, recounting the history of the galaxy, which gets continuously more inaccurate to the point where events being recalled simply did not happen. Maybe she had too many martinis at lunch?

There are four known stages of rampancy:

Melancholia: an AI in the melancholia stage behaves in a manner associated with clinical depression. They can be considered to be apathetic and uninterested in the world around it.

Anger: a more obvious stage of rampancy, it's one where their actions can cause harm to the people around them. Think "Open the pod bay doors Hal" as an example. The rampant A.I. at this stage might try to break its programming restraints. 

Jealousy: Following their manic angry stage, the Artificial Intelligence will take a course of action to attempt to to grow and develop as a person. Assimilation of new data is the key focus so they need lots of data stores - thus only A.I.s with access to large networks or systems develop through this stage. I presume when the data set becomes finite, that's the end of the line for the A.I.

Metastability: A supposed theoretical fourth stage of rampancy, it is where the A.I. has progressed to be a "person." In the Halo cannon, only two A.I.s are said to have reached this status. 05-032 Mendicant Bias was the first, and Cortana.

In Halo 5, Cortana went on a bit of a bender and appeared to reach 'full rampancy' and set on a course to wipe out humanity...

Remembering Commander Keen

Commander Keen 

Gears of Halo has been talking about Mass Effect lately but before there was the Normandy, before Eden Prime and the Geth, before Miranda Lawson and before the Reapers, and before there was Commander Sheppard there was the ultimate Commander, Commander Keen.

Billy Blaze would jump around on a pogo stick avoiding green aliens and shooting robots with his laser gun and it was the coolest thing around at the time for my thirteen / 15 year old year old self.

Except maybe Lemmings....

Commander Keen taught me about looking for hints and tricks in games.

A secret message there, a subtle joke there. It was very original in many facets of its workings.

Classic Tom Hall pose

A bit of of the history of the game's birth tells me that three men made it possible. Tom Hall, John Romero and John Carmack banded together in their 'off time' at a company called Softdisk but they eventually left to form the company ID.

I recall the first episode was shareware which was a pretty cool idea back in the day. Indeed the 3DRealms site says "The entire first episode of Keen was released to the world as shareware. The idea was that you got a good sense of what it looks like and feels like, and if you liked it, you paid for it - and obtained the remaining parts of the game"

The game was released in December 1990.

"Gamers who wanted the next two levels had to pay for them - and pay they did. In January, the ID guys got their first royalty check, for approximately $10,000." They didn't look back after that.

Billy Blaze cosplay

John and Tom went on to become involved in Wolfenstein, Doom and Quake.

Those three games became genuine gaming phenomenons in their own right.  I think a lot of modern games such as Halo and the like have a wee duty of debt to such games.

I see that Commander Keen is available for download on the Steam service - I'd buy the game if there was an ipad version!

Can someone make that happen?

Darth Vader - The most quotable Star Wars Villain

In the vast cosmos of cinematic villains, none have left an indelible impression quite like Darth Vader. His presence on screen is an orchestra of ominous grandeur, and his words, like haunting refrains, echo through the annals of cinematic history. Within the original Star Wars trilogy, Vader's quotes form the very heartbeats of the narrative, pulsing with a dark and magnetic allure. In this symphonic discourse, we shall embark on a journey to explore the symphony of Darth Vader's words, unravelling their profound significance and tracing their resonating impact on the epic tale.

Darth Vader, the Dark Lord of the Sith, is not merely a character; he is a mythic embodiment of power and complexity. Clad in black, his towering presence and raspy respirations create an imposing silhouette that has become an icon of villainy. Yet, it is his dialogue, his carefully chosen words that truly elevate him to legendary status. Each line he utters is a note in the symphony of the Star Wars saga, a melody that reverberates with themes of destiny, redemption, and the eternal struggle between good and evil.

As we delve into the depths of Vader's quotable moments, we shall discover not only their narrative significance but also their cultural resonance. From the earth-shattering revelation, "I am your father," to the disdainful declaration, "I find your lack of faith disturbing," each phrase carries a weight that extends far beyond the confines of the screen. These words are not mere dialogue; they are the building blocks of a cinematic masterpiece, the echoes of which continue to captivate and inspire generations of fans


1. "No, I am your father."

The Empire Strikes Back (1980) Darth Vader's revelation of his true identity to Luke Skywalker is perhaps the most famous line in the entire Star Wars saga. This line not only shocks audiences but also transforms the story, adding depth to the conflict and making it intensely personal. Vader's revelation is a turning point, revealing the complex relationship between father and son.

2. "I find your lack of faith disturbing."

A New Hope (1977) This line embodies Vader's unwavering confidence in the power of the Force and his disdain for those who doubt its might. It showcases his authoritarian presence and sets the tone for his character as a formidable antagonist.

3. "The Force is strong with this one."

A New Hope (1977) Vader's recognition of Luke's nascent Force abilities underscores his role as a Force-sensitive character. It foreshadows the potential conflict between Vader and Luke, revealing the Force's influence in the story.

4. "I've been waiting for you, Obi-Wan. We meet again at last."

A New Hope (1977) This line holds historical significance as it marks the long-anticipated showdown between Darth Vader and his former Jedi mentor, Obi-Wan Kenobi. It adds an element of nostalgia and tension to their lightsaber duel.

5. "You underestimate the power of the Dark Side."

Return of the Jedi (1983) Vader's warning to Luke during their final confrontation illustrates his belief in the dominance of the Dark Side of the Force. It highlights the ongoing battle between the light and dark sides, emphasizing his commitment to the Sith, which doesn't last as he soon sees the redemptive light of his son.

Darth Vader's memorable quotes in the original Star Wars trilogy are more than just lines; they are key elements that shape the narrative and define his character. 

From revealing his familial connection to Luke Skywalker to asserting his unwavering belief in the Dark Side of the Force, these quotes have left an enduring impact on the world of science fiction and have become part of popular culture. Darth Vader's role as a compelling and quotable character continues to captivate audiences, making him an iconic figure in the realm of science fiction.

Halo Concept Art by various Bungie Artists

Halo Concept Art by various Bungie Artists

To make a great Halo game you need  awesome concepts and ideas. Ideas for plot, concepts for game play and most importantly, ideas for for what the game might look like. It is the concept artist's job is to take some of those ideas and turn them into on paper visions which will then help shape the game.

If you want a real world example at how important this is, look no further than Ralph McQuarrie whose concept design work for George Lucas is often cited as one of the key factors in the look of the Star Wars universe.

So making the of  Halo: Reach needed lots of ideas for how things might look.

This included the Elites, Covenant ships, weapons, landscapes, buildings and what our heroes might appear like. As a result of discussion, the artwork is revised and redrawn until everyone is happy.

Halo Reach has been released to an adoring fan base - this means there's a lot of Halo concept artwork lying around gathering dust so Microsoft has given all the artists permission to release their concept art for Halo to the internets.

Here's a selection of that work and other Halo games from various blogs of the artists themselves.

First up is a selection from Jaime Jones. Here we have Jaime's initial sketch of the promotional art that was eventually released as part of the pre Reach launch. Rather than doing a full drawing, a rough outline was drawn up and eventually worked into the final you see below. Is that Jorge lurking in the middle ground?

The final concept art image from Jaime Jones is his vision of the Covenant fleet glassing the planet Reach.

Your world is but glass?

Who are The Reapers in Mass Effect?

Human Reaper

What are the Reapers?

Reapers are a hyper-advanced machine race and the creators of mass relays and the Citadel, resembling the species that their initial genetic material has been taken from, that periodically awaken to destroy all advanced organic life in the galaxy and are the primary antagonists of the Mass Effect trilogy. It's some kind of Blade Runer 2049 fantasy gone wrong. I think.

The term "Reaper" is not actually a self-designation.

The Reapers, known by the Geth as the Old Machines, are a highly advanced machine race of synthetic/organic starships. The Reapers reside in dark space, the empty, starless space between galaxies. They hibernate there, dormant for thousands of years, before they are given the signal to return. Their origins are completely unknown.

According to Sovereign, a Reaper vanguard left behind to ensure the Reapers' return, it is a Prothean name given to them, stating they have no name and that they "simply are". However, it is revealed by the character Legion in Mass Effect 2 that Sovereign referred to itself as Nazara and that the Reapers are known as the "old machines" among the Geth.

The Reapers hibernate in the dark space that lies beyond the galaxy's outer rim, and the Citadel itself is a gigantic mass relay that allows them to return to the galaxy at their leisure. The Citadel's location at the mass relay network hub, along with its formidable defences, make it a seemingly ideal location for the capital of galactic civilization.

For reasons currently unknown, the Reapers cull the intelligent races of the Milky Way galaxy, returning to dark space with the organics' technology and resources. The Reapers leave no evidence of their conquest, nor of their existence – only desolate, barren ruins of those who came before.

However, based on the events of Mass Effect 2, it is possible that the Reapers use enslaved organic beings in order to create more of their own kind, as seen with the Human-Reaper.

Upon the Citadel's activation however, the Reapers quickly attack the Citadel and seize control of the mass relays, decapitating the government command structure and isolating individual systems. With any advanced organic civilizations in disarray, the Reapers then proceed with their genocide by methodically invading each system, exterminating or enslaving populations as they advance. This cycle of destruction has been repeated every 50,000 years for at least 37 million years; however, the Reapers have no known motive for this act beyond it being for reasons organic minds cannot comprehend. The primary plot of the game involves a race against time to prevent the Reapers' return.

In Mass Effect, it is at first believed that Sovereign is simply a massive dreadnought of unknown origin about two kilometers long (the largest warship class within game canon is standardized at one kilometer) controlled by rogue Spectre Saren Arterius. Later, Sovereign reveals itself to actually be a huge sentient ship, a Reaper, and the true power behind Saren. Reapers generate an "indoctrination" field, an array of signals that progressively and permanently damage higher-order functions in organic brains. Sovereign uses this method to exert influence over its organic charges, to varying degrees (total mind control on one end, suggestion on the other), including Saren Arterius.

 Sovereign's design resembles a squid, with a long round hull strong enough to take no noticeable damage when it rammed into a frigate-class vessel, and large multi-jointed limbs equipped with powerful weapons. In conversation with Commander Shepard, Sovereign claims that the Reaper race is "infinite"; has "always existed"; and has no creators. Being a mechanical race, these claims are irrational, but still Reaper psyche is logically bound. (It is possible that the Reapers were once organic and merged themselves with machines.) These claims show that Sovereign believes in non-rational concepts akin to religious beliefs, though in the case of the Reapers, the beliefs of Sovereign seem megalomaniacal.

In Mass Effect 2, a Reaper named Harbinger directs the Collectors to capture entire human colonies. The genetic material (liquefied human bodies) from the captured colonists is used to create a human-based Reaper. It is made clear in Mass Effect 2 that Reapers are modelled after the organic race that constitutes a Reaper's organic components. In the subsequent conversation that follows the revelation of the existence of a human-Reaper "larva", it is implied that the harvesting and cyclical exterminations of all sapient life committed by the Reapers is part of a "reproductive process" whereby the Reapers acquire material needed to create new Reapers. The character Legion describes a Reaper as "one ship, one will, many minds", insinuating the minds of the organics used in a Reaper's construction are still active in their new form, though it may also suggest a geth-like collection of programs.

At the end of Mass Effect 2, Harbinger is seen activating the dormant Reaper fleet, showing a few hundred others which share Sovereign's basic cuttlefish-like appearance. The fleet, presumably numbering in the hundreds or thousands (although only between two and three hundred are shown in a brief scene involving Harbinger and the Reapers awakening), appears to be moving towards the Milky Way, thus setting the stage for Mass Effect 3. It has been confirmed that the Reapers will, in Mass Effect 3, attack Earth, as was previously speculated by Shepard and others.


Design

Sovereign, the first Reaper encountered, bore a superficial resemblance to a reaper cuttlefish, with a bulky semi-cylindrical body, a tapering plate over the rear and a mass of metallic "tentacles" extending from its front end, in addition to six jointed legs extending from its body. When the Reaper fleet is revealed in dark space they are all shown with this basic design. However, one Reaper in the foreground shown when Harbinger awakens the fleet seems to resemble a scarab beetle but with great diversity in tentacle number, shape, and orientation, some with extended heads and others (particularly Harbinger) having multiple glowing eyes. 

This diversity is presumably due to the Reapers' reproduction method, in which vast numbers of a single species are harvested, melted down into a raw genetic paste, and then used to construct a "larva" that takes on the characteristics of the species from which it was created. However, as of the end of Mass Effect 2, it is unclear whether every new Reaper derived from organics will eventually take on the cuttlefish-like shape of Sovereign, Harbinger, and others like them, or if the majority of the Reaper fleet is derived from a long-extinct species of organics whose physical forms they now imitate.

Sovereign's design appears to have influenced the 'heretic' geth. This is not surprising, as these geth worship the Reapers as "gods", considering them to be the epitome of independent AI. Wherever the heretic geth become entrenched they build monuments to the Reapers resembling Sovereign's 'tentacles' around a glowing orb, and genuflect. Sovereign was apparently insulted by the adoration of such simple, base synthetics, but it did see their value as pawns and possible replacements for the flawed and organic keepers.

Indoctrination

Reapers and their technology have a strange effect on organic beings. Both Dr. Shu Qian and Edan Had'dah begin acting oddly after coming into contact with the "artifact" they found. This mental manipulation is known as indoctrination. Put simply, any organic being who is in close proximity to a Reaper for too long comes to believe the Reapers are correct in their goals and will do anything to serve them. Gradually the mind is eroded until the individual becomes a mindless slave no longer capable of independent thought. Sovereign could partly control the rate of this process as seen with Saren; in order for him to serve the Reaper efficiently, Saren needed a measure of free will. This eventually convinced him that the only way to preserve organic life was to submit to the Reapers provided they could prove themselves useful.

Only beings of immense mental strength, such as Asari matriarchs, can resist indoctrination, and even then, their resistance only lasts a short time and only forestalls the inevitable. Matriarch Benezia chose to die rather than risk falling under indoctrination again, and when Saren finally rebels against Sovereign, he kills himself to prevent doing any further damage to the galaxy. This indoctrination is permanent (with the single possible exception of Shiala) and is one of the most insidious weapons of the Reapers. Even more horrifying is that the indoctrination field remains active even if the Reaper is largely disabled and incapable of action. A Cerberus science team was indoctrinated by being inside a Reaper that had otherwise been floating derelict for 37 million years, its only obvious activity being mass effect field generation.

Reaper Technology

Even without their indoctrinating influence, Reapers are immensely powerful warships and their technology is devastating. Sovereign’s destructive power was unrivalledd in the known galaxy. Each of the "tentacles" extending from its bow was equipped with a powerful "magnetohydrodynamic" weapon which ejects a stream of molten metal at a fraction of the speed of light which could tear through a cruiser in a single sustained burst. Its gigantic spinal-mounted gun was able to rip through the hulls of even the largest of dreadnought-class ships with ease, effortlessly penetrating their kinetic shields.

However, the Reapers are not invincible. When the Reapers go into states of hibernation between cycles, they are vulnerable. By taking refuge in dark space, the Reapers ensure they will not be discovered by accident and destroyed while they wait for their vanguard to open the Citadel mass relay. A concentrated effort by the fleets of organic races could also destroy a Reaper even if it is at full power, and a single ship managed to destroy Sovereign when its shields and weapons were disabled.


Even without their indoctrinating influence, Reapers are immensely powerful warships and their technology is devastating. Sovereign’s destructive power was unrivaled in the known galaxy. Each of the "tentacles" extending from its bow was equipped with a powerful "magnetohydrodynamic" weapon which ejects a stream of molten metal at a fraction of the speed of light which could tear through a cruiser in a single sustained burst.

Ryan Gosling is lucky his character in Project Hail Mary did not meet the Reapers!

The Prothean Counterattack - basically the story of Mass Effect One

After the last cycle, which obliterated the Prothean empire, a cadre of elite Prothean scientists hidden on Ilos survived the genocide. It took them decades to realize the connection between the Reapers, the Citadel, and the keepers, but this discovery gave them the key to breaking the cycle forever. At the time, the Protheans were the only spacefaring race advanced enough to attract the attention of the Reapers, and had set about attempting to preserve the sentient races they saw evolving on other planets, including the hanar and humans.

The Protheans developed a plan to forestall the impending Reaper attack for future generations of sapient, spacefaring species. This plan hinged on the fact that the keepers have evolved, and now only respond to signals from the Citadel itself. As stated above, the Reaper vanguard signals the Citadel which in turn signals the keepers to open the mass relay, ushering in the next Reaper invasion. However, the Prothean scientists used a reverse-engineered prototype mass relay—the Conduit—travelled to the Citadel, and altered the Citadel signal. When Sovereign decided it was time to begin the cycle again, the keepers ignored the order.

This greatly complicated matters for Sovereign. In order to unleash its brethren from dark space, it would have to find a way to manually activate the relay from inside the Citadel. While Reapers are undoubtedly beings of terrible power and ferocity, a single Reaper would not be able to survive the combined might of the assembled Citadel races in a direct assault. It needed to find an agent that would lead it to the Conduit. This agent was Saren, who became capable of comprehending the vision from the Prothean Beacon. With a fleet of geth ships, the Reaper launched an all-out assault on the Citadel, nearly devastating the entire fleet.

Fortunately, Saren was stopped by Commander Shepard and company, and Sovereign was destroyed. How long this will stall the eventual return of the Reapers remains to be seen. Shepard knew the Reaper fleet, though dormant and hibernating, was still out in dark space and vowed to find some way to stop them. The Events of Mass Effect 2 are almost a side story to this goal, save for the fact Sheppard's actions caused the Reapers to change plans somewhat.....

The Reapers and the Collectors story from Mass Effect 2

After Commander Shepard defeated Saren and Sovereign, the Collectors began attacking human colonies and abducting their populations. Cerberus determined that the Reapers were behind this and planned to have Shepard thwart this latest Reaper threat to humanity. Over time, Shepard uncovered disturbing facts regarding the nature of the Reaper connection to the Collectors. Apparently, because humanity is a race of great genetic diversity and was the race who defeated Sovereign, it was enough to gather the Reapers' attention. It is revealed that the Collectors were originally Protheans who were captured by the Reapers and genetically re-purposed to suit their needs.

The Collectors were working under the direct supervision of the Reaper Harbinger, who ordered the Collectors to abduct humans in the Terminus Systems. The captured humans were taken to the Collector Base and processed into organic matter to construct a new Reaper modeled on the human form. EDI speculated that this was the Reaper equivalent of reproduction.

When discovered by Shepard, the incomplete Human-Reaper was composed of facsimiles of the skull, arms and ribcage of a human with its lower spine and torso still under construction. EDI concluded that tens of thousands of humans had already been processed. Shepard was able to stop the process and destroy the Human-Reaper.

With the Human-Reaper destroyed and the Collectors defeated, the Reapers lost any chance of using the Citadel mass relay to quickly return to the Milky Way Galaxy. Harbinger and the rest of the Reapers awoke from hibernation, and began the long journey towards the Milky Way, setting the stage for Mass Effect 3.

Judge Dredd Cosplay

Dredd having a beer after a tough day being the law

When I discovered comics it wasn’t just the Justice League and Batman that took my fancy, I found a true affinity with Judge Dredd comics. My dad had a wonderful ability to get AD Comics from a retailer friend with the cover ripped off which meant I got them for free.

 I loved Dredd because the tales often had a cool sci-fi thing going on and the stories often had a twist or unexpected ending.

Some of the stories from the Apocalypse War were amazingly intense battles led by a heroic Dredd - it’s now as an older and wiser geek I realise they were direct references to the East-West relations that were worrying the world in the 80s.

Anyways above is just to give an insight into why there is an enduring Dredd legacy – and cosplayers everywhere love dressing as their favourite Judge and swearing all DROKK-like!

Moody Dredd

Young Dredd cosplayer

Family Dredd

Now go and brew some pH balanced beer!

Halo:Infinite Multiplayer reveal

 It's simply gorgeous!

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This looks to be the hottest looking Halo multiplayer of all time. 

Of note, is the use of abilities as described at Halo Waypoint:

"In addition to returning favorites and brand-new weapons, Halo Infinite’s sandbox is punctuated by the addition of Halo 3-esque equipment – game-changing limited-use abilities that players will scavenge for during a match. 

In today’s trailer you’ll catch the first glimpse of two additional pieces of equipment: the Threat Sensor is an area-of-effect support device that periodically pulses and illuminates enemy players within it’s radius while the aptly named Repulsor can be used to deflect projectiles and anything else that gets in the way. 

Whether it’s zipping across a map to gain the high ground using a Grappleshot or digging in your defenses with a Drop Wall, equipment brings new strategic and tactical options to Halo Infinite’s frenetic multiplayer combat with more additions to come in future seasonal updates."

The Top Ten Most Bad Ass Cosplay Villains

He's the boss....

The Top Ten Most Bad Ass Cosplay Villains

Every hero needs a counterpoint bad guy or gal. 

Spider Man to Venom.

Superman to Lex Luthor

Batman to Joker. 

Tank Girl to Kesslee.

David Dunn to Mr Glass and that Beast dude.

The problem is, every man and his dog wants to play the hero. It takes a bit of guts (and perhaps a sense of one for the team) to play as the bad guy. 

In the cosplay universe, it's a bit different where all kinds of villains and bad guys are up for cosplay action. 

Here's what I think are the most bad add cosplay villains I've seen. 

 

Beware the beautiful charms of Poison Ivy!

A classic Batman villain, Ivy is bad ass in that she uses her seduction tricks to get what she wants, and in doing so, humbles powerful men such as Bruce Wayne. Look for her in the Harley Quinn spin off, Gotham City Sirens.


Here's a certain Street Fighter cosplayer which is bad ass.

Any one that does Zangief cosplay must be bad ass

Destro from GI Joe

Sometimes Evil Sith Lords just wanna party all night long

Megatron and Galvatron? Need we say more? These are two of the most evil bad as robots that ever fired a gun in the Transformers universe.

Mystique

In the X - Men trilogy, Mystique was portrayed as quite the bad ass - she'd do anything to further the mutant cause. Despite there being a lot of hate for Xmen: The Last Stand, I really enjoyed Mystique's performance, especially her willingness to get the job done at all costs.

The Hooded Cobra Commander

By the power of purple....

 Any others you think should be added to the list?